“When I go into the studio, I’m strictly for business. I don’t like any fooling around in the studio.”

Sittin’ here resting my bones, this loneliness won’t leave me alone. Two thousand miles I roam, just to make this dock my home.

I love England from head to toe. I love the weather, the people. I was there in the summer and it was nice. The people are so groovy.

If I were to leave the U.S., I’d live in England. But I’d never leave the U.S. I own a 400-acre farm in Macon, Georgia. I raise cattle and hogs. I own horses, too. I love horses as much as singing. I like to hunt on horseback.

Sitting in the morning sun, I’ll be sitting when the evening comes.

This loneliness won’t leave me alone.

You’ve got to concentrate on the business of entertaining and writing songs. Always think different from the next person. Don’t ever do a song as you heard somebody else do it.

I used to always be in Atlanta, chilling. I didn’t really have as much to do. So I would gamble as a hobby. Now I’d rather go into the studio and try to make me a hit.

The Migos, like anybody I ever been in the studio with, like an influence on my rap. I take this from him and him and him and, you know, put it with myself and make it work like that.

I love good film, whether it’s an independent or studio film. The independent films, I think the good ones aren’t necessarily eccentric ones but they’re the more specific ones.

Studios are used to have an investment in you, an actual, literal investment in an actor. You paid them some money, you had a contract with them and you were almost like a commodity.

By the time I’m in the studio recording my parody, 10,000 parodies of that song are on YouTube.

I try to pick songs that I actually like because I realize that I have to live with these songs for a long time, from when I’m working on them in the studio to possibly playing them onstage for the rest of my life.

Any project that I find encouraging that isn’t attached to a studio, I can go to them, which I definitely would. You have to take an interest in what you do.

A very few minutes, because seven days later I was in the studio, and eight days later, I was no the stage.