As a teacher, I can help my students see what is working and not working. I can show them certain solutions.
AKHIL SHARMATo me exposition always contains tenderness.
More Akhil Sharma Quotes
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People often need to describe things quickly and so they use a shorthand. The problem is that after they use a label, they begin to think only in terms of the label instead of the totality of the experience a novel provides.
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The monsoon is such a dominant part of Indian life that it is hard to overstate its importance.
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While a dramatized scene is a way of proving and guaranteeing an emotional experience for the reader, exposition assumes that the reader is sophisticated and can see the universal.
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Ernest Hemingway has been the most important influence on me as a writer. But at a certain point as a writer,
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As a human being living one’s life, one is more open to relief when there is rain or the expectation of rain. That readiness for hope gets manifested in my stories and that of many other Indian writers.
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It is hard to create a first-person narrator that can be a child and yet is able to take in enough information for the narrative to be legible to the reader.
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For me, a memoir is nonfiction and nonfiction has to be absolutely true.
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I realized that he was writing about good people doing good things. This did not match my experience of life and so I found my sentences stretching and becoming less plain.
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There are also so many emotional aspects to money – feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.
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Certainly the details of our life are unique. Spending time thinking of how I am different from someone else, however, does not tend to be very productive.
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I can guide them to books that will serve as role models. Largely, though, one learns to write almost like developing muscle memory, and this requires years of effort.
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Money is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money.
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When someone gets a success, and we, too, have done good work and sometimes even better work than the person who has just triumphed, we wonder: Why did success pass me by?
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I need to tell the things that are important but which don’t make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction.
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My parents are deeply pious Hindus.
AKHIL SHARMA