It’s not easy in this phosphorescent gloom telling waking dreams apart anyhow.
AIMEE MANNIt’s more important for me to have a good record with good music and be part of a movie that’s good and where the music is used in a really great way. That’s the important thing. The other stuff you want to say about it, I don’t care.
More Aimee Mann Quotes
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The king of the jailhouse and the queen of the road think sharing the burden will lighten the load.
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I did it when I was young, and some of the music was OK, but it wasn’t great.
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If you’re an artist trying to put out your own record on your own label, it’s hard to get a distribution deal because no one wants to sign a deal with one entity.
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I have a 6-year-old, and his thing is to turn on Radio Disney in the car, and I get such an allergic reaction to listening to that music and the context into which it falls. I’m really working on him about that.
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I’m really into boxing. I go to a gym and I’m friends with a trainer who’s a pretty famous boxing trainer and I train with him.
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You drew a bird that was here, a kind of sweet chanticleer. But with a terrible fear that the cage couldn’t tame
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Because I grew up in the 60s girls were not allowed to do anything. As I’ve gotten older and realized that women can do things like that I thought, ‘Why not? Now’s the time.’
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Everyone’s just extracting meaning and feeling and emotion from almost every aspect of music, and I think that for me, it’s a huge antidote to that to have a concept album.
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I don’t envy anybody trying to start a career right. There really is no music business left, in a lot of ways.
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In the ’70s, everybody thought drugs were just good times. People didn’t really know about drug addiction, or that such a thing existed.
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I think, to be happy is to be interested and engaged.
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Everybody kind of understands, Oh yeah you take drugs and it does something to your brain and then you can’t stop.
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And nothing fuels a good flirtation Like need and anger and desperation No, the moth don’t care if the flame is real.
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Clearly in this business you have to contend with a lot of that.
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Nightly you retrace your steps again to return to the scene of the crime. It’s uncanny how you hover in the air of the wreckage that you left behind.
AIMEE MANN