“When you work with great musicians, they are always a part of you . . . their spirits are walking around in me, so they’re still here and passing it on to others.”

If you have to ask, you’ll never know.

Music is an addiction.

Sometimes you have to play a long time to be able to play like yourself.

If you hit a wrong note, it’s the next note that you play that determines if it’s good or bad.

My ego only needs a good rhythm section.

Do not be afraid of errors. There are no errors.

Drummers – sometimes they play and they listen. And that little listen takes a speck away from the right tempo.

Don’t be afraid of mistakes – There are none.

White folks always think that you have to have a label on everything – you know what I mean?

People will go for anything they don’t understand if it’s got enough hype.

You can’t compete with Sweets’ sound and time feel. It’s impossible.

We’re not going to play the blues anymore. Let the white folks play the blues. They got ’em, so they can keep ’em.

Anybody can play. The note is only 20 percent. The attitude of the motherfucker who plays it is 80 percent.

I never thought that the music called “jazz” was ever meant to reach just a small group of people, or become a museum thing locked under glass like all the other dead things that were once considered artistic.

Americans don’t like any form of art, man. All they like to do is make money. They don’t like me, Sammy Davis, or anybody else. They don’t like nothing. They just like Sammy because he can make ’em a lot of money.

I can’t write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don’t never write for myself.