“Even if there have been setbacks during these past years, China is changing. China’s society is opening.”

I don’t think there is a distinct change, because in the West I’m not a person who can serve his purpose.

You know about the fantasies related to the classics, but there is no real discussion about today’s life and no discussion of the real conditions – which is really sickening.

I’m totally independent. I don’t bear any responsibility to any system.

Life is never guaranteed to be safe, so we better use it while we are still in good condition.

For years, I refused to go to any openings, not even my own.

I was in the most restricted prison in China, the most tough. The design of the prison is modeled for internal crimes of the Communist party, so it’s like a mafia family’s law. It’s independent to the law this nation openly applies.

I grew up in a desert, which has no kind of imagination.

Being an artist is more of a mindset, a way of seeing things; it is no longer so much about producing something.

We literally lived underground. We dug a hole and lived there for years. My father cleaned public toilets, even though he was a highly respected poet.

As a human being, member of society, you must clearly state your mind. It’s a responsibility. It is the way you identify yourself otherwise you don’t know who you are and why you are here.

During the days in detention, I thought most about the moon.

I have to respect my life, and free expression is part of my life. I can never really silence myself.

I always want people to be confused, to be shocked or realize something later.

Freedom of expression is a very essential condition for me to make any art. Also, it is an essential value for my life. I have to protect this right and also to fight for the possibility.

The tragic reality of today is reflected in the true plight of our spiritual existence. We are spineless and cannot stand straight.

The fantasy we had with pearls was always so luxurious and unique with a kind of rareness.