“I think every Negro over fifty should get a medal for putting up with all that crap.”

When kids don’t learn about their own heritage in school, they just don’t care about school… But you won’t see it in the history books unless we get the power to write our own history and tell our story ourselves.

I used to enjoy all the white bands when I was a kid listening to the radio. But the record companies, they take music and label it – like, they say “rock”. Because the white singers can’t sound like James Brown, they call him “soul”. They’ve been doing that for years. That’s the prejudice crap.

Jazz musicians are so comfortable. The reason they can’t do what we do is because they’re so comfortable doin’ what they do.

First you imitate, then you innovate.

That’s the way women do. The frown. They want to give you the attitude to approach them back, by giving you a negative vibe.

Jazz is like blues with a shot of heroin!

Always listen for what you can leave out.

My father’s rich, my momma’s good looking. Right? And I can play the Blues. I’ve never suffered and don’t intend to suffer.

There are no wrong notes in jazz: only notes in the wrong places.

The thing to judge in any jazz artist is, does the man project and does he have ideas.

It’s not the note you play that’s the wrong note – it’s the note you play afterwards that makes it right or wrong.

If you sacrifice your art because of some woman, or some man, or for some color, or for some wealth, you can’t be trusted.

I’m out there doing the best that I can, My lip is cut and I’m still playing.

It took me twenty years study and practice to work up to what I wanted to play in this performance. How can she expect to listen five minutes and understand it?

It takes a long time to sound like yourself.

I don’t pay no attention to what critics say about me, the good or the bad. The toughest critic I got is myself…and I’m too vain to play anything I think is bad.