That’s the way women do. The frown. They want to give you the attitude to approach them back, by giving you a negative vibe.
MILES DAVISI think every Negro over fifty should get a medal for putting up with all that crap.
More Miles Davis Quotes
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You can’t play anything on a horn that Louis Armstrong hasn’t played.
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Knowledge is freedom and ignorance is slavery.
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I always listen to what I can leave out.
MILES DAVIS -
[Jazz musicians] feel comfortable with their clichés, you know.
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In other words, an instrument should be an extension of you; it’s supposed to sound like you – the way you walk, the way you dress, you know.
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It’s not the note you play that’s the wrong note – it’s the note you play afterwards that makes it right or wrong.
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Certain drummers drop time, and I like to play on top of the beat.
MILES DAVIS -
We don’t play to be seen. I’m addicted to music, not audiences.
MILES DAVIS -
Jazz is the big brother of Revolution. Revolution follows it around.
MILES DAVIS -
I can’t write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don’t never write for myself.
MILES DAVIS -
I’ll play it first and figure out what it’s called later.
MILES DAVIS -
Anybody can play. The note is only 20 percent. The attitude of the motherfucker who plays it is 80 percent.
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People will go for anything they don’t understand if it’s got enough hype.
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If I hear a song like “Time After Time.” I’m sittin’ there lookin’ at video and Cindy Lauper comes on singin’ this song. I said, “God damnnnnn!”
MILES DAVIS -
Drummers – sometimes they play and they listen. And that little listen takes a speck away from the right tempo.
MILES DAVIS