“You have to practice for a long time before you can learn to sound like yourself.”

Certain drummers drop time, and I like to play on top of the beat.

[Jazz musicians] feel comfortable with their clichés, you know.

It takes you years to learn how to play like yourself.

It’s not about standing still and becoming safe. If anybody wants to keep creating they have to be about change.

A painting is music you can see and music is a painting you can hear.

You can’t eat a winner’s plaque.

Bebop didn’t have the humanity of Duke Ellington. It didn’t even have that recognizable thing. Bird and Diz were great, fantastic, challenging – but they weren’t sweet.

If you understood everything I say, you’d be me!

What’s swinging in words? If a guy makes you pat your foot and if you feel it down your back, you don’t have to ask anybody if that’s good music or not. You can always feel it.

I think every Negro over fifty should get a medal for putting up with all that crap.

With “We Are The World,” I can’t even eat when I watch that on television. If I’m eatin’ some food, I have to put it down. I feel very strongly about that.

Music is the framework around the silence.

I’m always thinking about creating. My future starts when I wake up every morning… Every day I find something creative to do with my life.

I think the greatest sound in the world is the human voice.

Keith, how does it feel to be a genius?

Jazz is the big brother of Revolution. Revolution follows it around.