Even though everybody who looked at me would call me a Chinese artist, that’s the 1980s. New York in the ’80s was not so interesting.
AI WEIWEIThe misconception of totalitarianism is that freedom can be imprisoned. This is not the case. When you constrain freedom, freedom will take flight and land on a windowsill.
More Ai Weiwei Quotes
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It’s like the mountains, the ocean and the rivers. It has its own geological forms. Societies cannot be flat. But during change, human rights, human dignity and free speech have to be protected. Otherwise, we’ll be going backward.
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I think it’s quite narrow-minded. There wasn’t much encouragement or opportunities for any artist – not just Chinese artists.
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A nation like China has become one of the biggest production fields for exporting cheap labor, which also re-questions our history and past, re-questions human desire, and the human illusions of the past.
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As a human being, member of society, you must clearly state your mind. It’s a responsibility. It is the way you identify yourself otherwise you don’t know who you are and why you are here.
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I want people to see their own power.
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Today, we jump into this globalization of the economy and the internet age.
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You start to see the society, how it functions, how it works. Then you have a lot of criticism about how it works.
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As long as I can communicate, I’m not so lonely. If I cannot travel, or do art, or have company, if they take away all my belongings, it doesn’t matter at all.
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The [China] government has improved in the last years. Of course, the structure is still the same; there’s still a one-party system and strong censorship.
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The relationship between the Chinese government and me is like a Cold War.
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Choices after waking up: To be true or to lie? To take action or be brainwashed? To be free or be jailed?
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For artists and intellectuals today, what is most needed is to be clear about social responsibility, because that is what most people automatically give up. Just to protect yourself as an individual is very political.
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I came back [to Beijing ] because that’s the only time I had an excuse to come back, or otherwise I would never have a reason to come back.
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I have always stated I designed the stadium as a toilet seat.
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I curated this show [Shanghai Biennale ], I was by no means trying to shock people or be controversial.
AI WEIWEI






