You only have temporary curiosity, amusement, and challenges, but that does not necessarily mean you are really convinced that it’s necessary or that it’s not even worth to do it.
AI WEIWEIThe practice of photography is no longer a means for recording reality. Instead, it has become reality itself
More Ai Weiwei Quotes
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I came back [to Beijing ] because that’s the only time I had an excuse to come back, or otherwise I would never have a reason to come back.
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A nation that has no music and no fairytales is a tragedy.
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I think it’s more important to show your work to the public.
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We should also leave behind discrimination, because it is narrow-minded and ignorant, denies contact and warmth; and corrodes mankind’s belief that we can better ourselves.
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I don’t think my father had a direct influence on me, but I do think, more or less, I was influenced by his independent individualism.
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People have a tendency to become elite rather than to care about the general conditions of the society, which makes me sick. It’s an unbearable condition.
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The jobs for 7 million university graduates every year, the immense corruption: Even some Western governments would have to scramble to find solutions to such problems.
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I never really read Allen Ginsberg poetry, even though I have a book he gave me.
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At the moment about 350,000 students return to China from abroad each year – 350,000 young and educated people. I know about them because they know me and often ask me in the street if they can take a selfie with me.
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These folks are creative and ironic, and the government can ultimately not control what is going on in their heads.
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I never think any place is better than others.
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The fantasy we had with pearls was always so luxurious and unique with a kind of rareness.
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The whole Chinese system – not just the political leadership, the military too, the whole power structure, our education system, the whole of society – is suffering from being cut off from the free flow of information.
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For me, it is OK as long as I can breathe, as long as my heart is pumping, as long as I can express myself.
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The world is not changing if you don’t shoulder the burden of responsibility.
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If a nation cannot face its past, it has no future.
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It [success] is really by mistake.
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China is at a different stage of development, human rights are violated here much more often. And still, we see improvements even here.
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I saw [Allen Ginsberg] more as an old man who liked poetry and who had a lot of physical and emotional problems. We liked our time together.
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To work in architecture you are so much involved with society, with politics, with bureaucrats. It’s a very complicated process to do large projects.
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I think it’s quite narrow-minded. There wasn’t much encouragement or opportunities for any artist – not just Chinese artists.
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During the days in detention, I thought most about the moon.
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It’s like the mountains, the ocean and the rivers. It has its own geological forms. Societies cannot be flat. But during change, human rights, human dignity and free speech have to be protected. Otherwise, we’ll be going backward.
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Whenever there is injustice, there is tension. But in China it is very hard to release your anger unless you burn yourself or you jump from a bridge. In a society where there is no freedom of the press, it is difficult for victims to be noticed.
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The practice of photography is no longer a means for recording reality. Instead, it has become reality itself
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My typical day is I wake up and appreciate that I can still wake up.
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