I believe [the architecture firm] Herzog and de Meuron and our collaboration made the product the best it could be.
AI WEIWEII think it’s quite narrow-minded. There wasn’t much encouragement or opportunities for any artist – not just Chinese artists.
More Ai Weiwei Quotes
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I’m doing quite a few things now. In one day, I will go to Kassel, Germany, for a documentary project I’ve been preparing for half a year.
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I deal with students every day – from China, Germany, the United States, Hong Kong and Taiwan. And I’ve noticed that the Chinese students are the least trained in having a sense of aesthetics.
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The leadership knows that you cannot solve the issues of China’s future with the means of the past. The demographic consequences of the one-child policy, the build-up of the welfare state.
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My definition of art has always been the same. It is about freedom of expression, a new way of communication. It is never about exhibiting in museums or about hanging it on the wall. Art should live in the heart of the people.
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It’s not really an ideology, but a method of control. But China’s problems are not just China’s problems – they’re human problems. Humanity has always worked better when you see it as one.
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The project or a few ideas which are not finished or if there are possible directions and what will lead into another game. It’s always like setting up some kind of game you can continuously play.
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If I really have nothing to do, I just watch my cats, take some photos, and go back to my personal blog.
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You only have temporary curiosity, amusement, and challenges, but that does not necessarily mean you are really convinced that it’s necessary or that it’s not even worth to do it.
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Being an artist is more of a mindset, a way of seeing things; it is no longer so much about producing something.
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As a total activity – I practice curating, art, architecture, writing, and publishing all together. I still act as a living creature.
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It is not an easy job to govern China, I am aware of that. There are crises and emergencies all the time, we might not even be aware of some. But I am afraid we’ll have to wait and observe precisely what the government is up to.
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Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
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In the end, I think, the state’s rigidity is a function of its own insecurity, its indecisiveness.
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Everything is selected by the central government without good judgment or an understanding of culture to make it really safe. They will become nobody to maintain their power and be raised to the next higher level.
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I think art is a very important weapon to achieve human freedom
AI WEIWEI