“When I was 25, Abba was formed. After Abba I made three solo albums. Maybe I have been productive enough.”

It has always felt like a failure that Bjorn and I couldn’t keep our family together.

When I’m living in the world of luxury and celebrity, which is where I found myself for a large part of my life, it’s a walk-on part.

I can spot empty flattery and know exactly where I stand. In the end it’s really only my own approval or disapproval that means anything.

The reason behind our separation is one of those things I definitely don’t want to go into!

Even when I was still a child I cut out pictures of prams from newspapers and imagined the feeling of pushing my own pram through fresh winter snow and seeing the wheels’ tracks behind me in the snow.

When I record, it feels like I’m in a bubble. There’s nothing else in my head right then.

My life contains so many other things; I have my children, my grandchildren, my two dogs and a big place in the country. I have my own life.

The press has always written that I am a recluse and a mysterious woman, but I am more down-to-earth than they think.

I would like to sing the theme tune of a big film – something like ‘Titanic’.

When you love someone, and you’ve lost that one, then nothing really matters.

My professional persona never loosens its grip, keeping an eye on me at all times.

There was a time when the music fell silent. Both within me and around me.

I have one pug and one Czechoslovakian dog called Prazsky krysarik.

Abba’s last tour was a success but awful for me.

I must be allowed to be as I am.

No one who has experienced facing a screaming, boiling, hysterical audience can avoid feeling shivers in the spine. It’s a thin line between celebration and menace.

If I have a collection of songs for an EP or mixtape, I create the narrative afterwards; but usually with an album, I have a concept and the name first.

I’ve always felt like I was observing everything, like I’m just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.

There’s always pressure on the second album – this one has to be the big one.

I would definitely want a hit record, but I still want the success to be around the album. Only the music can help me.

I always wanted to be on tour or making albums.

It wasn’t necessary to speak on the recession, you know what I mean, but I just though it made a lot of sense. I was like, “okay, cool,” I’m going to go with this approach for the name of the album [ The Recession].

I don’t think if you set out to make an album to get a bunch of Grammy nominations… you just have to set out to make an album you’ll really love.

My dreams as a kid were so far below the Grammys, like, maybe selling out a show, or, like, seeing your album on a shelf in an Urban Outfitters… and the Grammys are so far above that. It’s very ridiculous.