I’d been educated stupidly, I knew nothing about nothing, that’s part of being shy.
AGNES VARDAI’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
More Agnes Varda Quotes
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There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, “Le jeu et les moi.” It’s impossible to translate, because it has a very nice sound.
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I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
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When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.
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It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.
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I’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
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To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
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I had a world. I don’t think I had a career. I made films.
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I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
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It’s a way of living, sharing things with people who work with me, and they seem to enjoy it.
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Humor is such a strong weapon, such a strong answer.
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I didn’t have a list of things I should do this year, next year, find a good novel, sign two stars and make a deal – because I think cinema should come from cinema.
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I think I got people confidence because I was not looking at them like insects that I would film.
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I tried to find images, allegorical images, that I could use to express things that I didn’t want to say or didn’t want to show or I was not able to find how to show.
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With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
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People think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.
AGNES VARDA