The two things that I thought were really interesting about this character [Bow] for me were that she actually loved her husband, and he loved her. The comedy was not coming from the fact that they hated each other. Which is what television couples are usually based on.
TRACEE ELLIS ROSSI was spoiled when I worked in the magazine world. Fashion closets are heaven and I seem to model my organization after a fashion closet.
More Tracee Ellis Ross Quotes
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Sometime in my second year at Brown [University], I took an acting class. And the lightbulb went off for me. I fell in love with it. I realized that everything I was afraid of about myself, all my fears, could be used in that world.
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Differences in experience, points of view and opinions aren’t what pulls us apart. It’s what pulls us together.
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If I’m going to show cleavage or chest then I don’t show leg. I show one thing. If I show leg then everything else is covered up.
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I sometimes think to myself, you’re not going to meet a new friend of any kind at home in front of the TV with your DVR. As much as it’s great, and there are so many good shows on TV, and I have great books that I’m reading, get out and interact with people.
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When I’m not working, I spend a lot of time on my hair. When it’s time for my hair to get some rest, I either wear it in a ponytail, bun or my favorite “milkmaid” braid.
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In some of the darkest and hardest moments, there is always a part of me that is okay. And I can always access that part of me.
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I think our culture promotes fear and shame.
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My mom didn’t adhere to any of those typical rules. She woke us up for school every morning, and was there at dinner or would call at bedtime. She never left for longer than a week. She recorded while we were sleeping.
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Someone asked me recently, “Do you get sick of people asking you about your hair?” And the reason I don’t is because I actually feel like you could chronicle my journey of self-acceptance through my journey with my hair. It’s a badge of something bigger.
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Here is my wish and my desire and my pledge as well: that we remember our true nature and our womanhood. That we own and know that we are more than our bodies and yet our bodies are these sacred, beautiful, rhythmic houses for us.
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Nothing goes to windward like a 747.
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We all, as women, need to continue to change our gaze from how we are seen to how we are seeing.
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And it acting was exciting to me. And scary.
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I like to choose compassion over judgment and curiosity over fear.
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[Black-ish creator] Kenya Bariss wrote on Girlfriends. We’ve been friendly since then. He sent me [the pilot] and said, “I wrote it for you.” But I know what that means in this industry.
TRACEE ELLIS ROSS