“My job is not done. I address my songs now to the third world. I am popular all over Asia and Africa and the Middle East, not to speak of South Africa, where I’m trying to go to see Nelson Mandela.”

I know I’m different, but I don’t think about it.

I was not reluctant to become a singer. Singing has been an activity I’ve done my whole life, without thought.

Music is the center of my life.

That’s a very high goal to have, study eight hours a day to be a concert pianist.

Jazz is not just music, it’s a way of life, it’s a way of being, a way of thinking the new inventive phrases we make up to describe things – all that to me is jazz just as much as the music we play.

Slavery has never been abolished from America’s way of thinking.

I believe in racial memory too. I’m sure I’ve got ancient African blood in me that has something to do with what I am.

It is difficult to retain your standards with the pressure of trying to make money, which always has its rules. It’s hard to walk the tightrope of doing what you think is your best and making money at it.

I demand perfection in what I do, and I practice very hard before I give a concert-sometimes three to six hours a day.

I made wine from the lilac tree/Put my heart in its recipe/It makes me see what I want to see/And be what I want to be.

It’s a good time for black people to be alive.

If I want to take a particular form of blues somewhere else I have the equipment to do it but I never even thought of it.

Don’t Let Me Be Misunderstood,” a song that was written for Simone, she confronted the band’s lead singer, Eric Burdon. “So you’re the honky,” she said, “who stole my song and got a hit out of it?

My name sounds French but that’s just a stage name.

How can you be an artist and not reflect the times?

What kept me sane was knowing that things would change, and it was a question of keeping myself together until they did.