Throughout high school, I was obsessed with magazines. I used to just comb through them and plaster things on my wall.
TRACEE ELLIS ROSSHere is my wish and my desire and my pledge as well: that we remember our true nature and our womanhood. That we own and know that we are more than our bodies and yet our bodies are these sacred, beautiful, rhythmic houses for us.
More Tracee Ellis Ross Quotes
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My bathroom is filled with hair and makeup stuff and I play with it all the time. What the real lesson is, is that you can own your own sense of beauty. It doesn’t have to be something you get from somewhere else.
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After college, I shot a pilot for a show on Lifetime, which was basically House of Style for a TV lover. I think I got paid $1,500, and I was like, “Mom, I’m moving out! I made it!” I did two seasons of that, but I felt like a talking head and wanted to do more.
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One of the photographers was like, “Can you stop talking and try to look sexy for a minute?”
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My mom helped me. I was very shy growing up, but my shyness sort of manifested in a big personality.
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The two things that I thought were really interesting about this character [Bow] for me were that she actually loved her husband, and he loved her. The comedy was not coming from the fact that they hated each other. Which is what television couples are usually based on.
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I’m extremely blessed to have the extraordinary mother that I have, and I don’t mean Diana Ross, I mean the mother. My mom paved a road that didn’t exist, as did Oprah.
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When I’m not working, I spend a lot of time on my hair. When it’s time for my hair to get some rest, I either wear it in a ponytail, bun or my favorite “milkmaid” braid.
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I sometimes think to myself, you’re not going to meet a new friend of any kind at home in front of the TV with your DVR. As much as it’s great, and there are so many good shows on TV, and I have great books that I’m reading, get out and interact with people.
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Here is my wish and my desire and my pledge as well: that we remember our true nature and our womanhood. That we own and know that we are more than our bodies and yet our bodies are these sacred, beautiful, rhythmic houses for us.
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It was when I realized I needed to stop trying to be somebody else and be myself, that I actually started to own, accept and love what I had.
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My mom didn’t adhere to any of those typical rules. She woke us up for school every morning, and was there at dinner or would call at bedtime. She never left for longer than a week. She recorded while we were sleeping.
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Black-ish is really a show about an American family and these are some of the topics that come up – for all of us, in different ways – and we get to see how this family is walking through it.
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I was shy, but it came out in a big personality. My turning point was when I let my hair go naturally and I got contact lenses. I am really blind, by the way. I have these big eyes that don’t work!
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My mom would leave her job, and there would be throngs of people screaming and banging on our car. I come from a very private family, but I was born into a public family.
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The clothing, the makeup, the freedom of expression in [the models’] bodies. It was Linda and Christy and Naomi at the time. So I modeled before college.
TRACEE ELLIS ROSS