To become a politics of asking women’s questions, demanding a world in which the integrity of all women–not a chosen few–shall be honored and validated in every respect of culture.
ADRIENNE RICHWhat we see, we see and seeing is changing
More Adrienne Rich Quotes
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Poetry is above all a concentration of the power of language, which is the power of our ultimate relationship to everything in the universe.
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War is an absolute failure of imagination, scientific and political.
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I believe that words can help us move or keep us paralysed, and that our choices of language and verbal tone have something – a great deal – to do with how we live our lives and whom we end up speaking with and hearing.
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When someone, let’s say a teacher, speaks of the world and you are not in it, it’s like looking into the mirror and seeing nothing.
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A knowledge that is subliminal, subversive, preverbal: the knowledge flowing between two alike bodies, one of which has spent nine months inside the other.
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Even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?
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Language is as real, as tangible, in our lives as streets, pipelines, telephone switchboards, microwaves, radioactivity, cloning laboratories, nuclear power stations.
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That a war can be represented as helping a people to ‘feel good’ about themselves, or their country, is a measure of that failure.
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There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working.
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I long to create something that can’t be used to keep us passive: I want to write a script about plumbing, how every pipe is joined to every other.
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Heterosexuality has been forcibly and subliminally imposed on women. Yet everywhere women have resisted it, often at the cost of physical torture, imprisonment, psychosurgery, social ostracism, and extreme poverty.
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The suppressed lesbian I had been carrying in me since adolescence began to stretch her limbs.
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What I search for continuously in my art is adequate language, language I hope can stand beyond any particular occasion.
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Across the curve of the earth, there are women getting up before dawn, in the blackness before the point of light, in the twilight before sunrise; there are women rising earlier than men and children to break the ice, to start the stove, to put up the pap.
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The woman’s body is the terrain on which patriarchy is erected.
ADRIENNE RICH