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What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.

Adrienne Rich

[The poet] is endowed to speak for those who do not have the gift of language, or to see for those who – for whatever reasons – are less conscious of what they are living through.
ADRIENNE RICH

Endowed Gift Language Reason Risk Speak Survival Use
The words are purposes./The words are maps./I came to see the damage that was done/and the treasures that prevail.
ADRIENNE RICH

Damage Done Map Prevail Purpose Treasure Word
The decision to feed the world is the real decision. No revolution has chosen it. For that choice requires that women shall be free.
ADRIENNE RICH

Choices Chosen Decision Real Require Revolution Woman
The necessity of poetry has to be stated over and over, but only to those who have reason to fear its power.
ADRIENNE RICH

Believe Fear Necessity Poetry Power Reason Trying
War is an absolute failure of imagination, scientific and political.
ADRIENNE RICH

Failure Imagination Political Scientific War
What it is like to live in another skin, what it is like to live in another body, and in that sense to surpass ourselves, to go out beyond ourselves.
ADRIENNE RICH

Another Body Live Ourselves Sense Skin Surpass
Poetry can add its grain to an accumulation of consciousness against the idea that there is no alternative – that we’re just in the great flow of capitalism and it can never be any different – that this is human destiny, this is human nature.
ADRIENNE RICH

Alternative Consciousness Destiny Flow Grain Idea
False history gets made all day, any day, the truth of the new is never on the news False history gets written every day … the lesbian archaeologist watches herself sifting her own life out from the shards she’s piecing, asking the clay all questions but her own.
ADRIENNE RICH

Clay Day Every False History Watches Written
The dialectic between change and continuity is a painful but deeply instructive one, in personal life as in the life of a people.
ADRIENNE RICH

Change Continuity Dialectric Instructive Life Light People Personal
Increasingly I think of poetry as a theatre of voices, not as coming from a single “I” or from any one position. I want to imagine voices different from my own.
ADRIENNE RICH

Coming Imagine Increasingly Poetry Position Theatre Thinking Voice
Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation.
ADRIENNE RICH

Affirmation Culture Desolation Great History Human Kind Magic Mattered People Period Through Violence
Can individual psychic wounds really heal in an abusive and fragmented society? Audre Lorde has a poem which begins,
ADRIENNE RICH

Abusive Begin Heal Individual Psychic Society Stories Want
We see daily that our lives are terrible and little, without continuity, buyable and salable at any moment, mere blips on a screen, that this is the way we live now. Memory marketed as nostalgia; terror reduced to mere suspense, to melodrama.
ADRIENNE RICH

Buyable Life Live Melodrama Memories Nostalgia Salablem Blip Screen Suspense Terrible Terror Way
We who were loved will never unlive that crippling fever.
ADRIENNE RICH

Crippling Fever Love Loved Unlive
I’ve known great happiness in my life along with great darkness, and a question that has repeatedly entered my poetry has been, how do we use the direct experience of happiness that may be given us.
ADRIENNE RICH

Along Creativity Darkness Entered Experience Given Happiness Life Poetry Repeatedly Use
We have seen over and over that white male historians in general have tended to dismiss any history they didn’t themselves write,on the grounds that it is unserious, unscholarly, a fad, too “political,” “merely” oral and thus unreliable.
ADRIENNE RICH

General History Male Merely Over Seen Themselves White Writing

What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.

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What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.

Related Topics

Popular Authors

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