I think of poetry as something out there in the world and within each of us. I don’t mean that everyone can write poetry – it’s an art, a craft.
ADRIENNE RICHWaiting for children to grow up, or for the birth of a new child, or for menopause.
More Adrienne Rich Quotes
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Poetry can add its grain to an accumulation of consciousness against the idea that there is no alternative – that we’re just in the great flow of capitalism and it can never be any different – that this is human destiny, this is human nature.
ADRIENNE RICH -
Sometimes I seem to myself, in my feelings toward these tiny guiltless beings, a monster of selfishness and intolerance.
ADRIENNE RICH -
Can you remember? when we thought the poets taught how to live?
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Most of them, though not all, arewhite and male. But even as American society is unravelling, becoming more violent and punitive, wonderful political poetshave been emerging.
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Made difficult-to-come-by, whatever is buried in the memory by the collapse of meaning under an inadequate or lying language – this will become, not merely unspoken, but unspeakable.
ADRIENNE RICH -
Only to have a grief equal to all these tears!
ADRIENNE RICH -
“Support” groups for every kind of human condition, where, in the clichés of that milieu, people “share” and “heal,” the question, “What for?”, “What now?” is no longer asked.
ADRIENNE RICH -
The marriage-resisting women silk workers of pre-Revolutionary China, the millions of widows, midwives, and the women healers tortured and burned as witches for three centuries in Europe.
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A withdrawal from thinking in terms of social and collective values, needs and solutions. The consciousness-raising groups of the women’s movement, for instance, becoming “support-groups” or therapy groups.
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The decision to feed the world is the real decision. No revolution has chosen it. For that choice requires that women shall be free.
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Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation.
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What I’m finding is that in our increasingly dysfunctional U.S. society, marvelous poetry is being written – out of and amid the dysfunction.
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In America we have only the present tense. I am in danger. You are in danger.
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I have an inward treasure born with me, which can keep me alive if all the extraneous delights should be withheld or offered only at a price I cannot afford to give.
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We are, none of us, ‘either’ mothers or daughters; to our amazement, confusion, and greater complexity, we are both.
ADRIENNE RICH