If we had time and no money, living by our wits, what story would you tell?
ADRIENNE RICHWaiting for children to grow up, or for the birth of a new child, or for menopause.
More Adrienne Rich Quotes
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Until we understand the assumptions in which we are drenched we cannot know ourselves. And this drive to self-knowledge, for women, is more than a search for identity.
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We who were loved will never unlive that crippling fever.
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It is part of our refusal of the self-destructiveness of male-dominated society.
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The [Vietnam War Memorial] Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.
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I am suspicious – first of all, in myself – of adopted mysticisms of glib spirituality, above all of white people’s tendency to … vampirize American Indian, or African, or Asian, or other ‘exotic’ ways of understanding.
ADRIENNE RICH -
The vixen I met at twilight on Route 5 south of Willoughby: long dead. She was an omen to me, surviving, herding her cubs in the silvery bend of the road in nineteen sixty-five.
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Writers matter in a society to the extent that we can help that society hear its unvoiced longing, encounter its erased and disregarded selves, break with complacency, numbness, despair.
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The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.
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Motherhood, in the sense of an intense, reciprocal relationship with a particular child, or children, is one part of female process; it is not an identity for all time.
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The marriage-resisting women silk workers of pre-Revolutionary China, the millions of widows, midwives, and the women healers tortured and burned as witches for three centuries in Europe.
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That a war can be represented as helping a people to ‘feel good’ about themselves, or their country, is a measure of that failure.
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How we dwelt in two worlds the daughters and the mothers in the kingdom of the sons.
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The kind of poetry that interests me is intellectual and moral and political and sexual and sensual – all of that fermenting together.
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An honorable human relationship- that is, one in which two people have the right to use the word “love”- is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.
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What I’m finding is that in our increasingly dysfunctional U.S. society, marvelous poetry is being written – out of and amid the dysfunction.
ADRIENNE RICH






