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To work and suffer is to be at home. All else is scenery.

Adrienne Rich

That primary quality of being which knows itself, its passions, only against an otherness that has to be dehumanized. I grew up in white silence that was utterly obsessional. Race was the theme whatever the topic.
ADRIENNE RICH

Dehumanized Gew Itself Know Obsessional Otherness Passion Primarily Quality Race Silence Topic White
What would it mean to live in a city whose people were changing each other’s despair into hope?– You yourself must change it.
ADRIENNE RICH

Change Changing Cities Despair Hope Mean
To become a politics of asking women’s questions, demanding a world in which the integrity of all women–not a chosen few–shall be honored and validated in every respect of culture.
ADRIENNE RICH

Culture Demanding Integrity Politics Power Question Respect Validated Women
The [Vietnam War Memorial] Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.
ADRIENNE RICH

Citizen Class Generation Grief Magnet National Race Relationship Wall War
To work and suffer is to be at home. All else is scenery.
ADRIENNE RICH

Home Scenery Suffer Suffering
Practicing till strengthand accuracy became one with the daringto leap into transcendence, take the chance of breaking down in the wild arpeggioor faulting the full sentence of the fugue.
ADRIENNE RICH

Accuracy Arpeggioor Breaking Chance Daring Down Faulting Fugue Leap Practising Sentence Strnghland Transcendence
In order to live a fully human life we require not only control of our bodies (though control is a prerequisite); we must touch the unity and resonance of our physicality, our bond with the natural order, the corporeal grounds of our intelligence.
ADRIENNE RICH

Bodies Body Control Fully Human Intelligence Life Natural Order Physical Unity
As her sons have seen her: the mother in patriarchy: controlling, erotic, castrating, heart-suffering, guilt-ridden, and guilt-provoking; a marble brow.
ADRIENNE RICH

Catering Controlling Erotic Guilt Heart Marble Mother Patriarchy Provoking Riddem Son
Motherhood, in the sense of an intense, reciprocal relationship with a particular child, or children, is one part of female process; it is not an identity for all time.
ADRIENNE RICH

Child Children Female Identity Intense Motherhood Process Reciprocal
We have seen over and over that white male historians in general have tended to dismiss any history they didn’t themselves write,on the grounds that it is unserious, unscholarly, a fad, too “political,” “merely” oral and thus unreliable.
ADRIENNE RICH

General History Male Merely Over Seen Themselves White Writing
I soon began to sense a fundamental perceptual difficulty among male scholars (and some female ones) for which ‘sexism’ is too facile a term. It is really an intellectual defect, which might be termed ‘patrivincialism’ or patrochialism.
ADRIENNE RICH

Difficulty Fundamental Intellectual Men Patrivincialism Patrochialism Perceptual Real Sexism
Art, whose honesty must work through artifice, cannot avoid cheating truth.
ADRIENNE RICH

Art Artifice Cheating Honesty Truth
The longer I live the more I mistrust theatricality, the false glamour cast by performance, the more I know its poverty beside the truths we are salvaging from the splitting-open of our lives. -from “Transcendental Etude
ADRIENNE RICH

False Glamour Longer Mistrust Performance Poverty Theatricality Transcendental
Grief held back from the lips wears at the heart; the drop that refused to join the river dried up in the dust.
ADRIENNE RICH

Dried Drop Dust Grief Heart Lip Refused River Wear
We may feel bitterly how little our poems can do in the face of seemingly out-of-control technological power and seemingly limitless corporate greed, yet it has always been true that poetry can break isolation.
ADRIENNE RICH

Control Greed Little May Poem Power Technological
There is no simple formula for the relationship of art to justice…In the end, I don’t think we can separate art from overall human dignity and hope. My concern for my country is inextricable from my concerns as an artist.
ADRIENNE RICH

Art Country Formula Human Justice m Relationship Overall Separate Simple Think

To work and suffer is to be at home. All else is scenery.

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To work and suffer is to be at home. All else is scenery.

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