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Poetry reaches into places in us that we are suppose to ignore or mistrust, that are perceived as subversive or non-useful, in what is fast becoming known as global culture.

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Becoming Culture Global Mistrust Perceived Place Poetry Subversive Suppose Useful

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

One line typed twenty years ago can be blazed on a wall in spraypaint to glorify art as detachment or torture of those we did not love but also did not want to kill.
ADRIENNE RICH

Art Blazed Detachment Glorify Love Spraypaint Torture Typed Wall Year
That a war can be represented as helping a people to ‘feel good’ about themselves, or their country, is a measure of that failure.
ADRIENNE RICH

Country Failure Feel Good Helping Measure Represented Themselves War
The moment of change is the only poem.
ADRIENNE RICH

Change Healing Moment Poem Poetry
Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem.
ADRIENNE RICH

Breath Colon Double Indication Metrically Musical Notation Pause Slash Sound Space Urgency
An honorable human relationship- that is, one in which two people have the right to use the word “love”- is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.
ADRIENNE RICH

Delicate Honorable Human Love People Process Relationship Self Truth Two Violent
The serious revolutionary, like the serious artist, can’t afford to lead a sentimental or self-deceiving life.
ADRIENNE RICH

Afford Artist Deceiving Self Sentimental Serious
Women have been driven mad, “gaslighted”, for centuries by the refutation of our experience and our instincts in a culture which validates only male experience.
ADRIENNE RICH

Centuries Culture Driven Experience Gaslight Instinct Mad Male Mind Reality Refutation Women
There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working.
ADRIENNE RICH

Artist Boundaries Bursting Channel Choiceless Creative Enormous Hunger Merely System Working
In the States, there has been, compared to the Sixties and Seventies, a huge retrenchment – not just in poetry – into the personal.
ADRIENNE RICH

Compared Country Need Personal Poetry Retrenchment Support Thinking
What I believe in and what my government represents are not the same thing.
ADRIENNE RICH

Believe Government Represent Same Thing
We have lived with violence far too long.
ADRIENNE RICH

Lived Long Violence
If we had time and no money, living by our wits, what story would you tell?
ADRIENNE RICH

Living Money No Stories Tell Wit
What kind of beast would turn its life into words?
ADRIENNE RICH

Beast Kind Life Turn
and I ask myself and you, which of our visions will claim us which will we claim how will we go on living how will we touch, what will we know what will we say to each other.
ADRIENNE RICH

Aak Claim Goes Myself On Touch Vision
The channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.
ADRIENNE RICH

Art Artist Channel Clogged Concern Song Struggle Woman
Despair, when not the response to absolute physical and moral defeat is, like war, the failure of imagination.
ADRIENNE RICH

Absolute Confusion Defeat Despair Failure Imagination Physical Response War

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