What I search for continuously in my art is adequate language, language I hope can stand beyond any particular occasion.
ADRIENNE RICHPoetry is the liquid voice that can wear through stone.
More Adrienne Rich Quotes
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Art and literature have given so many people the relief of feeling connected – pulled us out of isolation. It has let us know that somebody else breathed and dreamed and had sex and loved and raged and knew loneliness the way we do.
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So endlessly, still expecting to be believed. We are accustomed to the contempt inherent in the political lie.
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In such a world women will truly create new life, bringing forth not only children if and as we choose but the visions, and the thinking, necessary to sustain, console and alter human existence-a new relationship to the universe.
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Or those who still believe that language is ‘only words’ and that an old language is good enough for our descriptions of the world we are trying to transform.
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As a society in turmoil, we are going to see more, and more various, attempts to simulate order through repression; and art is a historical target for such efforts.
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Writers matter in a society to the extent that we can help that society hear its unvoiced longing, encounter its erased and disregarded selves, break with complacency, numbness, despair.
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I don’t think we can separate art from overall human dignity and hope.
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It is not really about them though it targets them as consumers.
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Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation.
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If, as women, we accept a philosophy of history that asserts that women are by definition assimilated into the male universal,that we can understand our past through a male lens.
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What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.
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The connections between and among women are the most feared, the most problematic, and the most potentially transforming force on the planet.
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You have to give your art everything you can – I don’t mean only writing, but studying other poets and poetics, thinking, reading what poets have written other than their poetry.
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Reality, the oppressor’s tongue.
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I soon began to sense a fundamental perceptual difficulty among male scholars (and some female ones) for which ‘sexism’ is too facile a term. It is really an intellectual defect, which might be termed ‘patrivincialism’ or patrochialism.
ADRIENNE RICH