One man’s ceiling is another man’s floor.
PAUL SIMONThe phrasing didn’t work as well.
More Paul Simon Quotes
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Given all the facts that I’m young and I’m in good health and I’m famous – that I have talent, I have money – given all these facts, I want to know why I’m so unhappy.
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Having a track record to live up to and the history of successes had become a hindrance. It becomes harder to break out of what people expect you to do.
PAUL SIMON -
I don’t know what I’m going to write when I begin to write. It feels like you are walking down a path, but you can’t see around the bend and you don’t know where you are going to go, which is fun.
PAUL SIMON -
Time, time, time, see what’s become of me, While I looked around, For my possibilities; I was so hard to please
PAUL SIMON -
And you read your emily dickinson, And I my robert frost. And we note our place with bookmarkers That measure what we’ve lost.
PAUL SIMON -
There are two sorts of people in the world: Those who listen and those who are thinking about what they are going to say next.
PAUL SIMON -
We’ve survived by believing our life is going to get better.
PAUL SIMON -
Just slip out the back, Jack, make a new plan, Stan, you don’t need to be coy, Roy, just get yourself free. Hop on the bus, Gus, you don’t need to discuss much, just drop off the key, Lee, and get yourself free.
PAUL SIMON -
It was the year of the Beatles, it was the year of the Stones, it was 1964.
PAUL SIMON -
Much of songwriting is simply a mystery.
PAUL SIMON -
I feel I should try to reveal. When you hit it right, you produce an emotional response in the listener that can be cathartic. When you’re wrong, you’re soppy, sentimental.
PAUL SIMON -
Take me. I’m an ordinary player in the key of C. And my will was broken by my pride and my vanity. Who’s gonna love you when you’re looks are gone? God will. Like he waters the flowers on your window sill.
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I have my books and my poetry to protect me.
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I don’t consider myself to be a major talent, so the only solace I can take is to hope I’m growing.
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It was easier than explaining DiMaggio’s use as a metaphor.
PAUL SIMON