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The BBC came to me and they wanted to adapt the book [Three Musketeers] again, in the straightforward way, and I said no to that.

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Richelieu was a great statesman, and like all great statesman, he was a very ruthless man.
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On a simple level, you need directors who are good at action and can choreograph an action scene
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It’s a great genre because you can do a lot. Sometimes in thrillers, you can really explore things, and it’s the same in this genre.
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The situation that women were in, at the time, was something that Dumas doesn’t really go into, but it’s a great subject to look at.
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One of the problems of this genre is that there are cliches everywhere, and you’ve got to be careful and watch out.
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But you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It’s a very big thing.
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There was a lot that I wanted it to do, and I wanted it to be fun. It’s fun, but it’s not simple fun.
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Being able to do action sounds like it should be straightforward, but it really isn’t.
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You’re always looking to make it a bit fresh.
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You have to make that judgement yourself, and that’s partly where the casting director is so good. It was that blend that we were looking for.
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I didn’t want to do that. But what I did want to do was have a real look at the adventure genre because I thought it was ripe for reinvention.
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It’s not fundamentally different to any other genre, that action is a particular thing.
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And we’re always talking to the directors about that. It’s a big challenge to find people that can do it.
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They’re classic themes, which is why I think it’s such a great story to look at again.
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The BBC came to me and they wanted to adapt the book [Three Musketeers] again, in the straightforward way, and I said no to that.
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Adapt Adventure Book Came Real Straightforward Wanted
Richelieu is not a villain, in his own mind. He’s doing what he needs to do.
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