I started publishing my comic while I was still living with my parents.
ADRIAN TOMINEI sense a real difference in my work from the time I was younger and single and more involved in the world of music and going out to bars and all that.
More Adrian Tomine Quotes
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I think a lot of the criticism had to do with disliking the characters – which, again, I take as something of a compliment.
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There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
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But my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.
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If you’re changing diapers and going to the playground, any ambitions of being a cool guy have to fly out the window.
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I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.
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I feel like if people are going to go to the effort to get a stamp and, you know, put it on an envelope that, you know, it’s a big effort these days. So I often write back.
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I think there’s a lot of evolution that’s happened in intangible ways, in terms of how I think about the work or how I plan it out.
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I wanted to avoid doing what I thought people wanted me to do.
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That partially due to the world of media and commerce, the idea of a comic book has been lost in the ghetto.
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And with this sort of increased visibility, there’s more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out.
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Especially for people of our generation, who really celebrated certain attitudes – the outsider.
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For me, like, the more interesting a letter is I just get more excited and I know that this going to be great for my friends who are looking forward to reading that in my comic.
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There’s been a lot of progress recently. And I shouldn’t make a definitive statement about this.
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“What you do for a living?” It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics.
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Who was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
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