“I can’t be passionate about something that I don’t understand. In my music.”

He is fearless and the way he comes to the music is like we share the same passion for what we do and with somebody from the West. In my opinion that would be a great collaboration.

I think that I work hard to make my music as a diary for new generations who find out about it years later.

As long as it doesn’t veer away from who I am, I’m down with it.

They can go through the history and see a trail.

I feel that’s why people can connect so well with it because it’s all honest.

My music is very raw, it’s emotional, and it’s honest.

Love and heartbreak is something that’s always been a part of me.

But at the same time, there’s still a classy side to me that I’ve seen in Oakland as well.

I like to just take all of them and allow them to help me build.

When you have somebody who takes their craft seriously, you don’t have to babysit them and be there all the time.

The influence that Oakland has on my sound is about 90%.

No matter is going on, I have something for that time or era.

I am so weak over love and heartbreak.

There’s so many different elements to Oakland.

I feel that when you have a passion and you are real.

It’s straight and narrow, you can see the growth and understand that I’m not afraid to give you honesty and be honest about anything that has to do with my story.

He who has seen one cathedral ten times has seen something; he who has seen ten cathedrals once has seen but little; and he who has spent half an hour in each of a hundred cathedrals has seen nothing at all.

Being disappointed is one thing and being discouraged is something else. I am disappointed but I am not discouraged.

I love to have my hair down; I love to have my hair full… there’s something romantic about it.

There are looks that I see on other people that I think would look horrible on me, but I think if somebody has the courage to be really daring and try something outlandish, then more power to them. That’s just encouraging and inspiring.

I have always been more interested in creating a character that contains something crippled. I think nearly all of us have some kind of defect.

Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move. This is the artist’s way of scribbling “Kilroy was here” on the wall of the final and irrevocable oblivion through which he must someday pass.

The past is our definition. We may strive with good reason to escape it, or to escape what is bad in it. But we will escape it only by adding something better to it.

I never know what I think about something until I read what I’ve written on it.