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Nine times out of ten, I’m trying to meet someone else’s expectations, whether it’s the director or the writer or the animator

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The involvement of people at home is just broadening things.
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People are ready to do either, and the content has to work on both.
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The thing is, when you put a button in someone’s hand and give them the power of yes or no is a shorter word. People just say no.
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If you ever go behind the glass and look at the focus groups that are deciding what you’re gonna watch, it’s scary.
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I know that the vitriol and hyperbole that exists online, and the anonymity, can be deadly because it’s cloaked in negativity and it’s brutal sometimes.
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On a plane or on a train, or whatever, you see people with their headphones and they’re looking at their iPhone or their Galaxy.
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More and more people are watching entertainment on their phones.
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But there are people who are way better at it than I am.
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I wasn’t really a big comic book guy, growing up. I watched cartoons, but the choices were a whole heck of a lot slimmer.
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What people end up watching is what the advertising end up glomming onto and promoting.
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You do a couple of superhero things and then, all of a sudden, they want to get you because there may be some name value.
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And then, there are the producers and the writers and the director on the other side of the glass, and what they want.
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Nine times out of ten, I’m trying to meet someone else’s expectations, whether it’s the director or the writer or the animator
ADRIAN PASDAR

Animator Cake Director Expectation Meet Nine Someone Ten Time Trying Writer
The power lies in who can say no the most. But, real power, though, lies in the opportunity to say yes.
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I don’t consider myself much of an actor. I have a face and a voice that allows me to do certain things.
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It’s liberating, on one hand, because you get to show up in sweatpants and with Doritos on your fingers, but on the other hand, it’s limiting because it’s just your voice.
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