“Digital for storage and quickness.”

King Crimson is never easy; it’s challenging. That’s why I like it.

I love drums and still play frequently.

My heart and soul are in the Stratocaster.

Someone who plays all the instruments and teaches others.

My inspiration and usual subject matter: life.

Currently I’m working with Parker Fly on a new Midi guitar to arrive next year.

I was left with an urge to make the guitar sound like things it shouldn’t be able to sound like.

And taught myself to play because I wanted to write songs.

Yes, but don’t forget I also have the luxury of the worlds finest band when it gets lonely.

My favorite puzzle is trying to work out the parts myself, after all it is a solo effort.

Songs, ideas, even paintings are pouring out of me.

I’ve developed a large vocabulary of sounds each requiring certain physical techniques often combined with a specific effect box.

Nothing juices me up creatively like being in my own studio for an extended period.

I have no secrets; all of these things have been discussed at length in guitar magazines.

Analog for fatness and warmth.

I have enjoyed all the artists I’ve worked with.

It can be analyzed as a coherent unit and compared with the organism in the design of experiments, with the individuals treated as the rough analogues of cells.

Human language appears to be a unique phenomenon, without significant analogue in the animal world.

The solution of the difficulty is that the two mental pictures which experiment lead us to form – the one of the particles, the other of the waves – are both incomplete and have only the validity of analogies which are accurate only in limiting cases.

This complexity is what creates that which we all know – the World – is connected in a system of networks – and I’m not referring only to the internet but also to thousands of analog networks in which we are all immersed at every instant.

Analog for fatness and warmth.