“I am so weak over love and heartbreak.”

There are a lot of shows and opportunities to be seen like that.

Everything I do is about setting up for the next. I think that my confidence and belief in myself as well as the music and trusting my judgment of my songs really grew the most.

You last throughout the ages and you’re able to reincarnate your artistry numerous times.

It’s a competitive city, it’s full of just great artists and talent. It gave me the confidence, the passion, the realness I try my hardest to portray, so it has had about 90% influence on me.

I don’t like to veer away from the truth because I think that’s what people have fallen in love with about my music.

He is fearless and the way he comes to the music is like we share the same passion for what we do and with somebody from the West. In my opinion that would be a great collaboration.

I think that I work hard to make my music as a diary for new generations who find out about it years later.

As long as it doesn’t veer away from who I am, I’m down with it.

They can go through the history and see a trail.

I feel that’s why people can connect so well with it because it’s all honest.

I can’t be passionate about something that I don’t understand. In my music.

My music is very raw, it’s emotional, and it’s honest.

Love and heartbreak is something that’s always been a part of me.

But at the same time, there’s still a classy side to me that I’ve seen in Oakland as well.

I like to just take all of them and allow them to help me build.

When you have somebody who takes their craft seriously, you don’t have to babysit them and be there all the time.

A nation must be embraced, rehabilitated and expressed as a tangible sign of human creativity and as an integral element of mankinds heritage.

Love is the most great law that ruleth this mighty and heavenly cycle, the unique power that bindeth together the divers elements of this material world

It is energy – the central element of which is will – that produces the miracle that is enthusiasm in all ages. Everywhere it is what is called force of character and the sustaining power of all great action.

Everything destroyed is either resolved into the elements from which it came, or else vanishes into not-being. If things are resolved into the elements from which they came, then there will be others: else how did they come into being at all?

This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark.

My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated.

There are so many elements that make a good film. You need a great director who’s driving it.

What I cannot follow are the manic-depressive fluctuations from total control to no control, from the serialization of all elements to chance.