“. The work of art is revolutionary; the house is conservative.”

The house satisfies a requirement.

It was the first work of art. A horizontal stroke: the woman lying down.

Man loves everything that satisfies his comfort.

All art is erotic.

The work of art is responsible to none; the house is responsible to everyone.

Lack of ornamentation is a sign of spiritual strength.

The room has to be comfortable; the house has to look habitable.

Be truthful. Nature only sides with truth.

The house thinks of the present.

Supply and demand regulate architectural form.

He hates everything that wants to draw him out of his acquired and secured position and that disturbs him.

The work of art wants to draw people out of their state of comfort.

The work is a private matter for the artist. The house is not.

I have emerged victorious from my thirty years of struggle.

he architect’s task therefore, is to make those sentiments more precise.

Tattooed men who are not behind bars are either latent criminals or degenerate aristocrats.

I’m conservative on some issues, and I’m progressive on others.

Diversification is an established tenet of conservative investment.

Politicians are conservative by nature.

As Beverly Hills becomes more Iranian-Jewish, it is becoming politically conservative.

Even the most conservative must realize that the recent transformation of surplus from an individual to a national disaster implies a scathing indictment of our capitalist system as it has now developed.

I don’t think really conservative or liberal; I think what makes sense.

The artist is likely to be looked upon with some uneasiness by the more conservative members of society.

Look, I’m a conservative, I’m a very conservative guy, and – and the Trump campaign is making your job over at NBC really, really, really easy in terms of going after conservatives and Republicans if he’s the standard bearer for conservatism.