I think writers can respond by writing about the refugee crisis, by looking at problems faced by migrants, by trying hard to portray them as the human beings that they are.
ADAM HOCHSCHILDI think one thing writers can do is point out that you don’t have to say openly racist things, like [Donald] Trump, to be a racist or a xenophobe.
More Adam Hochschild Quotes
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Someday, I have no doubt, the dead from today’s wars will be seen with a similar sense of sorrow at needless loss and folly as those millions of men who lie in the cemeteries of France and Belgium
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So people at the time really saw fascism not just as an evil but as an aggressive evil that seemed to be spreading.
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A pioneer in this genre [ writing about the refugee crisis] : the book A Seventh Man, by the great John Berger, decades ago evoked the lives of migrant workers in Europe.
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Many of the principle weapons that the Nazis used during World War II had their first trial in combat in Spain
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You know, by 1936, Hitler was already talking very loudly about his desire to expand to the east.
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In the form of man-made global warming; one can’t be neutral at such a moment. It’s like claiming to be neutral if you’re living in Germany in 1933.
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After all, where else in the world at this point did you have Americans in uniform who were being bombed by Nazi planes four years before the U.S. entered World War II?
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Speaking of Germany in 1933, I don’t think you can remove yourself from politics when, in so many countries – the United States, Poland, Hungary, and many others
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And he learned a great deal from it about the strengths and weaknesses of these different weapons.
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And American soldiers were the victims of these things in Spain, American volunteers. So this war was really a testing ground for Hitler.
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Compared with how we’ve ducked it in the United States, Canada should be really proud of how you have welcomed a significant number of refugees – far more, in fact, than we Americans have, even though our population is vastly larger.
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To bring us this vivid, searing account of the wide network of human trafficking and servitude which spans today’s globe.
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Its seemingly inexplicable outbursts of violence-is shaped far less by what we celebrate and mythologize than by the painful events we try to forget.
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I think one thing writers can do is point out that you don’t have to say openly racist things, like [Donald] Trump, to be a racist or a xenophobe.
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All of us living in today’s world are facing an enormous crisis – arguably the greatest that humanity has ever faced
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Ditto for her countryman the great playwright Athol Fugard.
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The Messerschmitt 109 fighter plane for example, the Stuka dive bomber, the 88 millimeter artillery piece, which could be used both for antiaircraft purposes and also shelling on the ground.
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The late Nadine Gordimer in South Africa, for example, had a wonderful ability to get her country’s injustices and contradictions down on paper.
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All over Budapest, statues have been replaced, museum exhibits have been redone, to turn ethnic Hungarians, not Jews, into the prime victims of the Germans during World War II.
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And yet the world we live in-its divisions and conflicts, its widening gap between rich and poor
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I’m after a snake and please God I’ll scotch it.
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Because they wanted a sympathetic ally in power. So I think it really was the opening act of World War II.
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I think in many ways, the Spanish Civil War was the first battle of World War II.
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Leopold’s Congo is but one of those silences of history.
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No one has better summed up the American appetite for spectacle, the link between sports and politics, and the absolute madness of George W. Bush’s Iraq War.
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Zachary Macaulay, who once traveled on a slave ship across the Atlantic, taking notes.
ADAM HOCHSCHILD