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If João Gilberto Noll were writing in French or German or even Russian, it’s likely he’d be more broadly translated.

Adam Morris

Even my editor at Melville House, who championed the project form the outset, told me she was surprised by the response. After this, editors began asking my opinion about which Latin American writers ought to be translated.
ADAM MORRIS

Championed Editor Hoise Opinion Outset Response Surprise Translated
The fiction I’ve written and published is certainly inflected by the work of authors I was reading or translating at the time.
ADAM MORRIS

Author Certainly Fiction Inflected Intense Published Reading Reading. Time Translate Work
Reading across three languages is a way for me to diversify my intake as a reader, not to tunnel into certain categories or demographics.
ADAM MORRIS

Across Category Demographic Diversity Intake Language Reader Reading Tunnel
And these are universal relational matters, not necessarily particular to any country.
ADAM MORRIS

Country Matter Necessarily Particular Relational Universal
The Brazilian national identity is not one of João Gilberto Noll primary concerns. This does not mean social critique is absent: race, gender, and class relations are considered in Quiet Creature.
ADAM MORRIS

Concern Country Identity Mean National Primary Reading
If João Gilberto Noll were writing in French or German or even Russian, it’s likely he’d be more broadly translated.
ADAM MORRIS

Broadly Country Likely Noll People Translated Writing
I realized I had some cultural capital to spend, and I wanted to use it to introduce another author who might be considered a risk by conventional publishers. Michael Noll was at the top of my list.
ADAM MORRIS

Author Capital Considered Cultural Introduce List Outset Realized Spend Top
I only translate authors whose work already interests me as a reader, and that’s a decision I make based on multiple encounters with an author’s work.
ADAM MORRIS

Already Author Decision Interest Multiple Reader Translate
Jorge Luis Borges was lamenting a variety of Orientalism that was used to measure the alleged authenticity of Argentine and Latin American writers in the midcentury.
ADAM MORRIS

Alleged Authenticity Lamenting Latin Measure Tradition Variety
One that actually relates to all Latin American literature: that is, not every author is interested in being a representative of his or her national culture on the global stage.
ADAM MORRIS

Actually Author Country Culture Every Interested Literature Relate Represent
The main reason I decided to study Latin American literature was because I’d gotten somewhat bored by the American fiction I was reading. I am not drawn to a specific style or aesthetic.
ADAM MORRIS

Bored Country Decided Latin Literature Main Reading Reason Thinking
English can be tricky because there are so many false cognates, but sometimes, as long the idea conveyed is not wrong, these false cognates can themselves offer synonyms or lead to a better alternative word or phrase in translation.
ADAM MORRIS

Alternative Cognate Conveyed English False Idea Long Sometimes Tricky
I am not one of those translators who think that working closely with the writer will yield the best translation.
ADAM MORRIS

Best Closely Think Thinking Translation Translator Working Writer Yield
Unless you count the political backdrop, which in any case is a familiar one to many international readers
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Backdrop Count Familiar International Political Reader Thinking Unless
When I think about literature, I think about it in the three languages I read easily – English, Spanish, and Portuguese.
ADAM MORRIS

Country English Language Literature Portuguese Spanish Think Three
The authors I prefer are all very different and are not limited to certain genres or even certain time periods.
ADAM MORRIS

Author Certain Different Genre Limited Period Prefer

If João Gilberto Noll were writing in French or German or even Russian, it’s likely he’d be more broadly translated.

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If João Gilberto Noll were writing in French or German or even Russian, it’s likely he’d be more broadly translated.

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