If the history of the American sentence were a John Ford movie, its second act would conclude with the young Ernest Hemingway walking into a saloon
ADAM HASLETTIf the history of the American sentence were a John Ford movie, its second act would conclude with the young Ernest Hemingway walking into a saloon
ADAM HASLETTYou try not to because it’s hard and at times shameful, but then when you read those pages over and you see they have no life to them so you throw them away and force yourself to be more honest.
ADAM HASLETTFinding an etiolated Henry James slumped at the bar in a haze of indecision, and shooting him dead.
ADAM HASLETTBecause we are most often distracted from that. Massively distracted.
ADAM HASLETTTo give them the chance to notice the passage of time as experienced by others as a reminder of what it is like to be alive.
ADAM HASLETTAs I see it, my job as a writer isn’t to judge, but to take a reader as far inside as I can and let them dwell there.
ADAM HASLETTIt is a negative sort of achievement, she thinks, to have spent a life warding something off.
ADAM HASLETTSo I suppose the answer is I see myself in all my characters, in their best moments and in their worst.
ADAM HASLETTWe live in a bureaucratic, atomized world, but the system is still run by human beings.
ADAM HASLETTOnly the luckless, the petty or the deranged [end] up in court.
ADAM HASLETTIf as a writer, you want to capture the world we live in, I think you have some responsibility to at least try to get at some of the ways we’ve chosen to govern ourselves.
ADAM HASLETTMy interest is always to get as deeply as I can into the minds and spirits of the characters and let the readers empathize or judge as they will.
ADAM HASLETTYou have to expose part of yourself to create a character deep enough for readers to care about.
ADAM HASLETTThat is much of what I think the writer’s job is – to slow people down.
ADAM HASLETTDiscovery is the joy.
ADAM HASLETT