Writing well isn’t just a question of winsome expression, but of having found something big and true to say and having found the right words to say it in
ADAM GOPNIKNew York has always been a place where it is possible to have memories without the experience that conventionally precede them.
More Adam Gopnik Quotes
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We don’t know that we’ve lost half a minute from our lives but we feel it somehow, we feel its absence.
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The reality is that the British monarchy, for good or ill, is a modern political institution – perhaps the first modern political institution.
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The World Series is played in my doubtless too-nostalgic imagination in some kind of autumn afternoon light, and seeing it exclusively in the bitter chill of midnight breaks the spell of even the best of games.
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Of all the alchemies of human connection-sex and childbirth and marriage and friendship-the strangest is this:
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Someone once said that the joy is not in writing but in having written. I can’t say I find that to be true, though I understand the sentiment.
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If we had been there listening, we still might not have been able to determine exactly what Stanton said. All we know for sure is that everyone was weeping, and the room was full.
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Tomorrow may be a bit better than today; and, after all, you have to have a little faith in people-doesn’t diminish the glamour that clings to the man who turned the question over and look at it, elegantly, upside down.
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Whatever sense of professional competence we feel in adult life is less the sum of accomplishment than the absence of impossibility:
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Writing doesn’t come easily to anyone, I think, certainly not to me. But pressure and practice does lend a certain fluency
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In the New Yorker library, I have long been shelved between Nadine Gordimer and Brendan Gill; an eerie little space nestled between high seriousness of purpose and legendary lightness of touch.
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Daniel Levitin takes the most sophisticated ideas that exist about the brain and mind, applies them to the most emotionally direct art we have, our songs, and makes beautiful music of the two together.
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New York has always been a place where it is possible to have memories without the experience that conventionally precede them.
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Frauds master our minds; magicians, like poets and lovers, engage them in a permanent maze of possibilities.
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In an age of malice and bad faith on many sides, I reread White or Thurber or Mitchell and am reminded again that good writing is done, as I said in my elegy for Salinger, with an active eye and ear and an ardent heart, and in no other way.
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The relentless note of incipient hysteria, the invitation to panic, the ungrounded scenarios
ADAM GOPNIK