Whatever sense of professional competence we feel in adult life is less the sum of accomplishment than the absence of impossibility:
ADAM GOPNIKThis alchemy, of self-absorption into shared experience, is the alchemy of all literature.
More Adam Gopnik Quotes
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I try to turn a written thing, when I’m in trouble with it, into a spoken thing: I start imagining what I would say to someone if I were trying to tell the story or make the argument.
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It mocks mercilessly the pretensions to truth of Mormonism and the pretensions to virtue of Mormon missionaries.
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Often the block [in writing] comes from the wall of words that keep out the simplicity of sense.
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Cooking is the showy side of domesticity.
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In an age of malice and bad faith on many sides, I reread White or Thurber or Mitchell and am reminded again that good writing is done, as I said in my elegy for Salinger, with an active eye and ear and an ardent heart, and in no other way.
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I think is the core of what it means to live a civilised life.
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If I were a devout Mormon, I would be offended by a lot of things that go on in “The Book Of Mormon,” right?
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Making an idea into an emotion.
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The scale and the brutality of our prisons are the moral scandal of American life.
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The basic human rhythm of petty malevolence, sordid moneygrubbing, and official violence, illuminated by occasional bursts of loyalty or desire or tenderness, will go on.
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We breathe in our first language, and swim in our second.
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Protein was the most valued ingredient 250 years ago: It was the rarest thing. Now the rarest thing we have is time: time to cook and time to eat.
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In the New Yorker library, I have long been shelved between Nadine Gordimer and Brendan Gill; an eerie little space nestled between high seriousness of purpose and legendary lightness of touch.
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All tastes have the quality of being in some way artificial and invented. The secret of life is to have enough detachment from your tastes and your values to see that they are a little bit absurd.
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You can stand up and tell a story that is made entirely, embarrassingly, of “I’s,” and a listening audience somehow turns each “I” into a “me.”
ADAM GOPNIK






