If we are willing to act violently in pursuit of a peripheral interest, everyone can be certain that, when a vital interest is at stake, we will be still more violent.
ADAM GOPNIKWriting is the process of finding something to distract you from writing, and of all the helpful distractions – adultery, alcohol and acedia, all of which aided our writing fathers – none can equal the Internet.
More Adam Gopnik Quotes
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For all the years I’d spent talking about pictures, the truth was that I had no idea how to draw or what it felt like to do it. I
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The special virtue of freedom is not that it makes you richer and more powerful but that it gives you more time to understand what it means to be alive.
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Something is missing, we think. And so we long for the thing we’ve missed and can’t name, and out of that wanting – well, everything else rises, good and bad.
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If we had been there listening, we still might not have been able to determine exactly what Stanton said. All we know for sure is that everyone was weeping, and the room was full.
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It’s really our relief at no longer having to do things we were never good at doing in the first place – relief at never again having to dissect a frog or memorize the periodic table.
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The grace of capitalism is to make wants feel like hopes, so that material objects and stuff can feel like the possibility of something heroic and civic.
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I think the worst thing we can do is to concede to fanaticism its devotion, say. Well, you have to understand, these people are really fanatics, so we should back down from them.
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Merely that you start off with ideas buzzing around in your head, and then you try to give them the simpler, more graceful shape, of a feeling that a reader might share.
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I think I’m more intensely opinionated when I speak; more agreeably balanced when I write.
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Writing is the process of finding something to distract you from writing, and of all the helpful distractions – adultery, alcohol and acedia, all of which aided our writing fathers – none can equal the Internet.
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Paris, on the other hand, looked exactly as it was supposed to look. It wore its heart on its sleeve, and the strange thing was that the heart it wore so openly was in other ways so closed-mysterious, uninviting.
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Often the block [in writing] comes from the wall of words that keep out the simplicity of sense.
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The past is so often unknowable not because it is befogged now but because it was befogged then, too, back when it was still the present.
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Whatever sense of professional competence we feel in adult life is less the sum of accomplishment than the absence of impossibility:
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Yet in truth the big question Camus asked was never the Anglo-American liberal one: How can we make the world a little bit better tomorrow?
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