What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
ADA LOUISE HUXTABLEIf the British are a nation of shopkeepers, Americans are a nation of shoppers.
More Ada Louise Huxtable Quotes
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The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
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Waiting is a special kind of activity – if activity is the right word for it – because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
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Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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The skyscraper is the point where art and the city meet.
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Summer is the time when one sheds one’s tensions with one’s clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all’s right with the world.
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It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
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Washington is an endless series of mock palaces clearly built for clerks.
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Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
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Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
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There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
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And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.
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An excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
ADA LOUISE HUXTABLE







