That turns the Jersey wasteland into a pretty classy dump.
ADA LOUISE HUXTABLEThe skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
More Ada Louise Huxtable Quotes
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We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
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An excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
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What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
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Washington is an endless series of mock palaces clearly built for clerks.
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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
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Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance
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The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
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I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
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All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
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It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
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The skyscraper is the point where art and the city meet.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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The gamble of triumph or tragedy at this scale – and ultimately it is a gamble – demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
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No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
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