I can forgive you for leaving, but not for coming back.
JONATHAN SAFRAN FOERFood serves two parallel purposes: it nourishes and it helps you remember. Eating and storytelling are inseparable-the saltwater is also tears; the honey not only tastes sweet, but makes us think of sweetness; the matzo is the bread of our affliction.
More Jonathan Safran Foer Quotes
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You do not have to utter anything you do not want to utter,” I told her, and she said, “Then I would never utter another word again.” “You do not have to do anything that you do not want to do.” “Then I would never do anything again.
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I do think ordinariness is, in a way, the enemy, but not ordinariness as the opposite of flamboyance.
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Choosing leaf or flesh, factory farm or family farm, does not in itself change the world, but teaching ourselves, our children, our local communities, and our nation to choose conscience over ease can.
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If the thrill of hunting were in the hunt, or even in the marksmanship, a camera would do just as well.
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Am I such a bad person for dreaming of a world that ends when I do? I don’t mean the world ending with respect to me, but every set of eyes closing with mine.
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I shook my tambourine the whole time, because it helped me remember that even though I was going through different neighborhoods, I was still me.
JONATHAN SAFRAN FOER -
I dreamt four nights ago of clock hands descending from the universe like rain, of the moon as a green eye, of mirrors and insects, of a love that never withdrew. It was not the feeling of completeness that I so needed, but the feeling of not being empty.
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If I’d been someone else in a different world I’d’ve done something different, but I was myself and the world was the world, so I was silent.
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You cannot protect yourself from sadness without protecting yourself from happiness.
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I think and think and think, I‘ve thought myself out of happiness one million times, but never once into it.
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My life story is the story of everyone I’ve ever met.
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She was a genius of sadness, immersing herself in it, separating its numerous strands, appreciating its subtle nuances. She was a prism through which sadness could be divided into its infinite spectrum.
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Why didn’t I learn to treat everything like it was the last time. My greatest regret was how much I believed in the future.
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Highs and lows make you feel that things matter, but they’re nothing.” “So what’s something?” “Being reliable is something. Being good.
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In the morning, when the nothing vase casts a something shadow, like the memory of someone you’ve lost, what can you say about that?
JONATHAN SAFRAN FOER