Complications generally begin long before the fated soul carries its dubious light into whatever womb has been kind enough to volunteer
ABERJHANIIn honor of Oprah Winfrey: Even greater than the ability to inspire others with hope is the power to motivate them to give as much to the lives of others as they would give to their own
More Aberjhani Quotes
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The more sincere the soul, the heavier the cross endured.
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In a rich moonlit garden, flowers open beneath the eyes of entire nations terrified to acknowledge the simplicity of the beauty of peace.
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And make no mistake about it: love does take over and transform the schemes and operations of our egos in a very mighty way.
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In short, the power of a certain kind of dream is such that death need not indicate finality at all but rather signify a metaphysical and metaphorical leap forward.
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A world without poetry and art would be too much like one without birds or flowers: bearable but a lot less enjoyable.
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With my ninth mind I resurrect my first and dance slow to the music of my soul made new.
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They both, when we study that grand tapestry known as history and modern-day society, tend to stand out in much bolder relief than other figures from Dancing with Madness, Dancing with Genius
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September 11, 2001: Citizens of the U.S., besieged by terror’s sting, rose up, weeping glory, as if on eagles’ wings.–from the poem Angel of Remembrance: Candles for September 11, 2001
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What a lover’s heart knows let no man’s brain dispute.
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Hope drowned in shadows emerges fiercely splendid–– boldly angelic.
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Ours is an age in which thousands are driven daily from their homelands by the unforgiving brutalities of war, terrorism, political oppression, starvation, disease, economic piracy
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We rarely get a definitive look at just how complicated and sometimes dangerous their everyday lives were. In fact,
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In a world gushing blood day and night, you never stop mopping up pain.
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Most people are slow to champion love because they fear the transformation it brings into their lives.
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They speak across different dividing lines such as those of haves and have-nots, youth and maturity, black and white, national and global, and the past and the present.
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