“Never let anyone try and make you into something that you’re not. Remember what it is that you want, and always stay strong in that.”

I have a really great family, and when Im not filming, I go home and walk the dogs, take out the garbage, clean my room, all that stuff.

I don’t really like to talk about other people. I think people who have things going on in their lives

My phone is always in front of me, 24/7.

I like English, and I like writing essays, and that kind of stuff.

I made my first movie when I was five.

I’ve always been a huge fan of the ‘Pirates of the Caribbean’ movies.

What’s my favourite food? One you order out.

I like to have sleepovers.

A lot of the time I’m working with people who are older than me.

If you’re having a really bad day, it’s a great way to get out all of your frustration by doing a really angry or sad scene. That’s always a good release.

I think they have enough to deal with, they don’t need, you know, Abigail Breslin weighing in on their lives.

I never want to play the same character twice. I like to do different roles. I have fun with that.

So being able to be that person and then when you leave you’re yourself again

I want to do wardrobe. I want to do hair. I want to do makeup. I want to do writing. I want to do directing. I want to do all of it. I like it. And I want to do producing.

Well, my brother started acting before I did.

I get $13 [a week] now, because I’m 13.

After all, the average playing life of a pro football player is about eight years and it is only fitting that the veterans get something for their efforts.

mean, it’s crazy. So you can’t improvise, you cannot suddenly do something that comes to mind, whereas in a small production you have much more flexibility.

Something goes wrong, I yell at them -‘Fix it’- whether it’s their fault or not. You can only really yell at the players you trust.

It is to believe in the perverseness of the universe, that even if I do well, something I don’t know about will get in the way, sabotage me, or get me in the end.

It ain’t innovation unless something moves.

When I started out, everyone seemed to be adopting these names… Johnny Rotten, Sid Vicious. I wasn’t really Rotten or Vicious or Nasty, so I wanted something a bit more funny – yet something that seemed real rock ‘n’ roll… something that acknowledged my ambition.

It was nice doing something and hearing someone go, ‘Hey, you’re good at this.’

It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of a child who looks at the world for the first time or of the traveler who enters a strange country