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The more you get into any religion, it becomes the same. It really becomes how you treat other people and how you get outside yourself.

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The actors that I love to work with, they’re hard on me. They’re pushing me.
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There’s a difference between the world ending tomorrow and just drinking and drugging yourself to death.
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I’m living in a real postmodern time – every single thing sings to you to tell you it’s started, it’s stopped, you’ve got a message, you didn’t get a message.
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I’m trying to chill it and find an equilibrium and a balance to my work.
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Listen, anybody who has a film festival has the right to show what they want.
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You know, these month – or two-month-long endeavors that millions of dollars are based on.
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It’s always a problem when you’re working with people you don’t really know. Most filmmaking is about shaking hands and just starting.
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A script is not a piece of literature, it’s a process.
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It’s funny, the hardest thing to do is to make something look like it’s fast, loose and improvised, and get somebody to laugh.
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I’m about my characters.
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I’m in a house where if the washing machine shuts off, it sings a song. If iPad gets a message, it sings a song.
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Which filmmaking is completely done under in many circumstances. You’re under constant crisis, making a movie
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I was born in the Bronx, and then my father moved us to the country at an early age.
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Then there’s that thing, maybe it’s not true. Who knows? Are you going to believe it? Are you going to buy it?
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When I talk about drugs and alcohol, I’m talking about sex addiction, gambling addiction, eating addiction, throwing-up addiction. I’m not talking about mental illness.
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