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The one-word cinema wasn’t possible for me anymore. I’d hit a wall, a dead end. Therefore I thought I’d turn back.

Abbas Kiarostami

I thought that I had been asked every kind of question possible.
ABBAS KIAROSTAMI

Asked Kind Possible Question
I didn’t just see myself as a film director here [in Life And Nothing More], but also as an observer of people who had been condemned to death.
ABBAS KIAROSTAMI

Condemned Death Director Film People
Whether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.
ABBAS KIAROSTAMI

Consider Filmmaker Intuition Master Storyteller Vision
I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.
ABBAS KIAROSTAMI

Complication Deny Expression Life Perception Thinking
When I’m in the process of making a movie I’m not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences.
ABBAS KIAROSTAMI

Finish Making More Movie People Process Talking Thinking
I think it was [Jean-Luc] Godard who said that life is nothing but a bad copy of film, but then our ambition must be to make better films and better shapes of forms that are given in life.
ABBAS KIAROSTAMI

Ambition Bad Copy Film Life Nothing Shape Thinking
Close-Up has affected later films that I’ve made.
ABBAS KIAROSTAMI

Affected Close up Film Made
Those same people, when they leave the theater, when they look behind the curtains they are curious about their neighbors, they can guess if their neighbors are siblings or a couple, how old they are, what their occupation is.
ABBAS KIAROSTAMI

Couple Curtain Guess Neighbour People Sibling
This [the earthquake] was a very big influence on me, and the issue of life and death from then on does recur in my films.
ABBAS KIAROSTAMI

Death Earthquake Film Influence Issue Issues Life Recur
I think that if you’re a digital thinker, you can use a digital camera.
ABBAS KIAROSTAMI

Camera Digital Thinker Thinking Use
I was mentioning with the digital camera, maybe this new fashion of filmmaking gives a closer look of what life may be like. But it’s still nothing but a copy.
ABBAS KIAROSTAMI

Camera Closer Digital Fashion Film Giving Making Nothing
Cinema gives you the opportunity to be both a grandparent and a grandchild whereas in life you cannot be both at the same time.
ABBAS KIAROSTAMI

Cinema Giving Grandchildren Lesson Life Opportunity
I don’t generally derive my stories from novels. I try to turn into film things I have felt or experienced.
ABBAS KIAROSTAMI

Derive Experienced Film Novel Story Trying
There are certainties in existence, but love is something much harder to define than light and dark, life and death. I think saying you are “like” someone in love sounds right.
ABBAS KIAROSTAMI

Certainties Dark Death Define Existence Harder Life Thinking
I’m still very grateful to digital cameras in general, but I didn’t have this feeling with the RED one.
ABBAS KIAROSTAMI

Camera Digital Feelings General Grateful Red
I do believe that a film like Ten could never have been made with a 35mm camera. The first part of the film lasts 17 minutes, and by the end of that part, the kid has totally forgotten the camera.
ABBAS KIAROSTAMI

Believe End Film Kids Camera Like Made Ten

The one-word cinema wasn’t possible for me anymore. I’d hit a wall, a dead end. Therefore I thought I’d turn back.

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The one-word cinema wasn’t possible for me anymore. I’d hit a wall, a dead end. Therefore I thought I’d turn back.

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Popular Authors

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