The one thing that fills me with enthusiasm is to try, despite everything, to get nearer to those visions that seem so hard to express.
ALBERTO GIACOMETTIIf we master a bit of drawing, everything else is possible.
More Alberto Giacometti Quotes
-
-
In the past I have never thought about loneliness when working, and I don’t think about it now. Yet there must be a reason for the fact that so many people talk about it.
ALBERTO GIACOMETTI -
The head is what matters. The rest of the body plays the part of antennae making life possible for people and life itself is inside the skull.
ALBERTO GIACOMETTI -
At first, one sees the person who is modelling; but little by little, all of the possible sculptures that could be made come between artist and model.
ALBERTO GIACOMETTI -
The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
ALBERTO GIACOMETTI -
In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist’s obsession with his subject; the form is always in proportion to the obsession.
ALBERTO GIACOMETTI -
The form is always the measure of the obsession.
ALBERTO GIACOMETTI -
In a fire, between a Rembrandt and a cat, I would save the cat.
ALBERTO GIACOMETTI -
In a burning building I would save a cat before a Rembrandt.
ALBERTO GIACOMETTI -
What I am looking for is not happiness. I work solely because it is impossible for me to do anything else.
ALBERTO GIACOMETTI -
If we master a bit of drawing, everything else is possible.
ALBERTO GIACOMETTI -
Art is the residue of vision.
ALBERTO GIACOMETTI -
When you look at art made by other people, you see what you need to see in it.
ALBERTO GIACOMETTI -
If only someone else could paint what I see, it would be marvellous, because then I wouldnt have to paint at all.
ALBERTO GIACOMETTI -
I see something, find it marvelous, want to try and do it. Whether it fails or whether it comes off in the end becomes secondary. So long as I’ve learned something about why.
ALBERTO GIACOMETTI -
If I see everything in gray, and in gray all the colors which I experience and which I would like to reproduce, then why should I use any other color?
ALBERTO GIACOMETTI