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In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist’s obsession with his subject; the form is always in proportion to the obsession.

Alberto Giacometti

If I see everything in gray, and in gray all the colors which I experience and which I would like to reproduce, then why should I use any other color?
ALBERTO GIACOMETTI

Color Myself Reproduction See
When I see a head from a great distance, it ceases to be a sphere and becomes an extreme confusion falling down into the abyss.
ALBERTO GIACOMETTI

Confusion Distance Greatness Head Myself
The head is what matters. The rest of the body plays the part of antennae making life possible for people and life itself is inside the skull.
ALBERTO GIACOMETTI

Body Head Life Play Possible Skull
When I make my drawings… the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.
ALBERTO GIACOMETTI

Appearance Darkness Drawing Man Myself Path
The object of art is not to reproduce reality, but to create a reality of the same intensity.
ALBERTO GIACOMETTI

Art Intensity Object Reality Reproduction
It was always disappointing to see that what I could really master in terms of form boiled down to so little.
ALBERTO GIACOMETTI

Disappoint Master Myself See
I don’t know if I work in order to do something, or in order to know why I can’t do what I want to do.
ALBERTO GIACOMETTI

Myself Reason Work
All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life.
ALBERTO GIACOMETTI

Art Civilization Life Memories Myself Past Replacement Rise Space Work
If we master a bit of drawing, everything else is possible.
ALBERTO GIACOMETTI

Drawing Master Possible Potential
Failure is my best friend. If I succeeded, it would be like dying. Maybe worse.
ALBERTO GIACOMETTI

Failure Friendship Myself Success Worst
Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won’t know what it is until I succeed in doing it.
ALBERTO GIACOMETTI

Artistic Children Creation Discover Myself Success
When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn’t care.
ALBERTO GIACOMETTI

Care Failure Importance Live Problem Prostitution Yourself
I paint and sculpt to get a grip on reality… to protect myself.
ALBERTO GIACOMETTI

Myself Paint Protection Reality Sculpture
The more you fail, the more you succeed. It is only when everything is lost and – instead of giving up – you go on, that you experience the momentary prospect of some slight progress. Suddenly you have the feeling – be it an illusion or not – that something new has opened up.
ALBERTO GIACOMETTI

Experience Failure Feeling Give Up Lost Moments Open Progress Success Yourself
All I can do will only ever be a faint image of what I see and my success will always be less than my failure or perhaps equal to the failure.
ALBERTO GIACOMETTI

Equality Failure Image Myself Success Willing
The older I grow, the more I find myself alone.
ALBERTO GIACOMETTI

Alone Finding Growth Myself Old

In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist’s obsession with his subject; the form is always in proportion to the obsession.

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In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist’s obsession with his subject; the form is always in proportion to the obsession.

Related Topics

Popular Authors

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