When you look at art made by other people, you see what you need to see in it.
ALBERTO GIACOMETTIOnce the object has been constructed, I have a tendency to rediscover in it, transformed and displaced, images, impressions, facts which have deeply moved me (often without my knowing it).
More Alberto Giacometti Quotes
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In the past I have never thought about loneliness when working, and I don’t think about it now. Yet there must be a reason for the fact that so many people talk about it.
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Once the object has been constructed, I have a tendency to rediscover in it, transformed and displaced, images, impressions, facts which have deeply moved me (often without my knowing it).
ALBERTO GIACOMETTI -
I’ve tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
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I’ve been fifty thousand times to the Louvre. I have copied everything in drawing, trying to understand.
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Whores are the most honest girls. They present the bill right away.
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In a burning building I would save a cat before a Rembrandt.
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It was always disappointing to see that what I could really master in terms of form boiled down to so little.
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When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn’t care.
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The form is always the measure of the obsession.
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Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won’t know what it is until I succeed in doing it.
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It is impossible to do a thing the way I see it because the closer I get the more differently I see.
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All I can do will only ever be a faint image of what I see and my success will always be less than my failure or perhaps equal to the failure.
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The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
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At first, one sees the person who is modelling; but little by little, all of the possible sculptures that could be made come between artist and model.
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The more you fail, the more you succeed. It is only when everything is lost and – instead of giving up – you go on, that you experience the momentary prospect of some slight progress. Suddenly you have the feeling – be it an illusion or not – that something new has opened up.
ALBERTO GIACOMETTI