Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.
ABBAS KIAROSTAMIAs film-makers, it is very important for us to find common ground between cultures, and maybe that’s less the case for politicians who benefit more from finding the conflicts and differences between us.
More Abbas Kiarostami Quotes
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It’s true that the best way of knowing yourself is to put yourself into different situations.
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The experience of life teaches us that being like someone in love is more real, because everything is uncertain.
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I’m still very grateful to digital cameras in general, but I didn’t have this feeling with the RED one.
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I wasn’t searching for a common denominator – I started wondering about the challenge of working in other cultures. What I reached was the sudden acknowledgment of the universal aspect of filmmaking.
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A movie is about human beings, about humanity.
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I don’t generally derive my stories from novels. I try to turn into film things I have felt or experienced.
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As long as I take the responsibility of the choice, I have to make the choice that is as right as possible.
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All the different nations in the world, despite their differences of appearance and religion and language and way of life, still have one thing in common, and that is what’s inside of all of us.
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Children are very strong and independent characters and can come up with more interesting things than Marlon Brando, and it’s sometimes very difficult to direct or order them to do something.
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My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated.
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I am still very surprised that I managed to make that film [Close Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience.
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We are nothing but a link between our culture and what we can actually produce.
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The [Iranian] government grapples with more important issues and we can maybe say that these films don’t really exist for them. It’s not about whether they like it or don’t; it’s just not very important to them.
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Having an international voice is not really about whether we speak Persian or any other language.
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Close-Up has affected later films that I’ve made.
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