I do believe that a film like Ten could never have been made with a 35mm camera. The first part of the film lasts 17 minutes, and by the end of that part, the kid has totally forgotten the camera.
ABBAS KIAROSTAMIAs film-makers, it is very important for us to find common ground between cultures, and maybe that’s less the case for politicians who benefit more from finding the conflicts and differences between us.
More Abbas Kiarostami Quotes
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When I’m in the process of making a movie I’m not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences.
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Using non-actors has its own rules and really requires that you allow them to do their own thing.
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I didn’t just see myself as a film director here [in Life And Nothing More], but also as an observer of people who had been condemned to death.
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I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.
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I’m still very grateful to digital cameras in general, but I didn’t have this feeling with the RED one.
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Silence doesn’t seem heavy or difficult.
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Having an international voice is not really about whether we speak Persian or any other language.
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It seems that film-makers are being divided between those working in digital and those who are not. I think it’s not something predetermined – it all depends on what project we have in mind, and on that basis we choose the medium.
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In order to be able to cooperate with a child, you have to come down to below their level in order to communicate with them. Actors are also like children.
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I’ve often noticed that we are not able to look at what we have in front of us, unless it’s inside a frame.
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When I find the character, I try to spend time with them and get to know them very well. Therefore my notes are not from the character that I had in my mind before, but are instead based on the people I’ve met in real life.
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I think violence can never be justified. At the same time, nobody’s culture or beliefs should be insulted, that’s not something I can accept either. But I cannot justify or accept any violence at all.
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The Iranian government as a whole has no relationship with my films. They’re not particularly interested, perhaps this kind of cinema is not very interesting to them.
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I think that in life, being is nothing but an illusion. If we acknowledge that and accept the fact that we are in between states, that we are moving, and this movement is the nature of our lives
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I believe there’s only good cinema and bad cinema.
ABBAS KIAROSTAMI