The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.
ALBERTO GIACOMETTIArt is the residue of vision.
More Alberto Giacometti Quotes
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What I am looking for is not happiness. I work solely because it is impossible for me to do anything else.
ALBERTO GIACOMETTI -
I’ve tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
ALBERTO GIACOMETTI -
In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist’s obsession with his subject; the form is always in proportion to the obsession.
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All the sculptures of today, like those of the past, will end one day in pieces… So it is important to fashion ones work carefully in its smallest recess and charge every particle of matter with life.
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I’ve been fifty thousand times to the Louvre. I have copied everything in drawing, trying to understand.
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I paint and sculpt to get a grip on reality… to protect myself.
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Failure is my best friend. If I succeeded, it would be like dying. Maybe worse.
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In the past I have never thought about loneliness when working, and I don’t think about it now. Yet there must be a reason for the fact that so many people talk about it.
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When I see a head from a great distance, it ceases to be a sphere and becomes an extreme confusion falling down into the abyss.
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The object of art is not to reproduce reality, but to create a reality of the same intensity.
ALBERTO GIACOMETTI -
I see something, find it marvelous, want to try and do it. Whether it fails or whether it comes off in the end becomes secondary. So long as I’ve learned something about why.
ALBERTO GIACOMETTI -
The more you fail, the more you succeed. It is only when everything is lost and – instead of giving up – you go on, that you experience the momentary prospect of some slight progress. Suddenly you have the feeling – be it an illusion or not – that something new has opened up.
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The head is what matters. The rest of the body plays the part of antennae making life possible for people and life itself is inside the skull.
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In a fire, between a Rembrandt and a cat, I would save the cat.
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It was always disappointing to see that what I could really master in terms of form boiled down to so little.
ALBERTO GIACOMETTI






