“I think Woody Allen is Woody Allen, and no matter where he goes he still makes his Woody Allen films.”

The only thing that I can do is hold a mirror in front of men and women, in front of the viewer in the theater, to reflect. There is nothing but reflection that I could intend to offer the viewer of the film.

I really enjoy listening to stories. I remember them and keep them in my mind.

This [the earthquake] was a very big influence on me, and the issue of life and death from then on does recur in my films.

A work of art doesn’t exist outside the perception of the audience.

The film [Close Up] made itself, to a large extent. The characters involved were very real, I wasn’t directing the actors so much as being directed by them. So it was a very particular film.

In order to be able to cooperate with a child, you have to come down to below their level in order to communicate with them. Actors are also like children.

The digital camera has given me total freedom and a different way of filming.

Therefore, when you see the end result, it’s difficult to see who’s the director, me or them. Ultimately, everything belongs to the actors – we just manage the situation.

Maybe more than a teller, I am a story listener. I really enjoy listening to stories. I remember them and keep them in my mind. All of my films are a collection of small stories that have been told to me.

Religion works on some people but not on everyone, because it says, ‘Stop thinking and accept what I tell you.’ That’s not valid for people who want to think and reflect.

It’s true that the best way of knowing yourself is to put yourself into different situations.

Anything I’ve not experienced I do not look to for a subject. I have to feel it.

Children are very strong and independent characters and can come up with more interesting things than Marlon Brando, and it’s sometimes very difficult to direct or order them to do something.

I have no advice for anyone on how to live.

I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.

I thought that I had been asked every kind of question possible.