With the RED, I didn’t have this impression at all. I felt that it was as heavy as a film camera. Having this great crew, with the DP and his assistants, I found it making as much of an impression as a very big film camera.
ABBAS KIAROSTAMIWhen I’m in the process of making a movie I’m not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences.
More Abbas Kiarostami Quotes
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I remember when I came out of an exam thinking I had done well and then I had a clue that maybe one answer was wrong, I remembered that I rather stop knowing, stop thinking about it, appreciating life instead.
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As film-makers, it is very important for us to find common ground between cultures, and maybe that’s less the case for politicians who benefit more from finding the conflicts and differences between us.
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I would be too selfish if I said everyone should see my movies more than once. To say that would mean I’m just marketing my work!
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Everybody knows that I am not usually patient enough to actually sit down and watch one of my own films from the beginning to the end – I never do.
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The film [Close Up] made itself, to a large extent. The characters involved were very real, I wasn’t directing the actors so much as being directed by them. So it was a very particular film.
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I didn’t just see myself as a film director here [in Life And Nothing More], but also as an observer of people who had been condemned to death.
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I never reflect or convey that which I have not experienced myself.
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There were years when Hitchcock was like a master to me, but now I think he’s so artificial. I can watch films and say how technically beautiful they are, but I’m not impressed by any technicality.
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I think it was [Jean-Luc] Godard who said that life is nothing but a bad copy of film, but then our ambition must be to make better films and better shapes of forms that are given in life.
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Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.
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I spend a lot of time doing carpentry. Sometimes there is nothing that gives me the contentment that sawing a piece of wood does.
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I don’t like reverse-angle shots – I find them very fake and very untruthful to the viewer.
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I really enjoy listening to stories. I remember them and keep them in my mind.
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It’s very true that non-actors feel more comfortable in front of a digital camera, without the lights and the large crowd around them, and we arrive at much more intimate moments with them.
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I don’t generally derive my stories from novels. I try to turn into film things I have felt or experienced.
ABBAS KIAROSTAMI






