I don’t know who I am or who I was. I know it less than ever. I do and I don’t identify myself with myself. Everything is totally contradictory, but maybe I have remained exactly as I was as a small boy of twelve.
When I make my drawings… the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.
All the sculptures of today, like those of the past, will end one day in pieces… So it is important to fashion ones work carefully in its smallest recess and charge every particle of matter with life.
In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist’s obsession with his subject; the form is always in proportion to the obsession.
I see something, find it marvelous, want to try and do it. Whether it fails or whether it comes off in the end becomes secondary. So long as I’ve learned something about why.
Once the object has been constructed, I have a tendency to rediscover in it, transformed and displaced, images, impressions, facts which have deeply moved me (often without my knowing it).
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